Sabtu, 29 Februari 2020

Malena 2000 線上看中文配音

Malena 2000 線上看中文配音






Malena-2000 小鴨 在线-中国上映-小鴨-線上看-Hongkong -香港-百老匯.jpg



Malena 2000 線上看中文配音


字幕

Malena (电影 2000)

持续

192 测定时间

发泄

2000-10-27

特性

Sonics-DDP 720P
DVDScr

流派

Drama

语言

Italiano


Favour
Z.
Nikhil, Zandra O. Michle, Krish H. Mitko






船员 - Malena 2000 線上看中文配音


On the day in 1940 that Italy enters the war, two things happen to the 12-year-old Renato: he gets his first bike, and he gets his first look at Malèna. She is a beautiful, silent outsider who's moved to this Sicilian town to be with her husband, Nico. He promptly goes off to war, leaving her to the lustful eyes of the men and the sharp tongues of the women. During the next few years, as Renato grows toward manhood, he watches Malèna suffer and prove her mettle. He sees her loneliness, then grief when Nico is reported dead, the effects of slander on her relationship with her father, her poverty and search for work, and final humiliations. Will Renato learn courage from Malèna and stand up for her?




剧组人员

協調美術系 : Sixta Cybill

特技協調員 : Clarice Selina
Skript Aufteilung :Antoine Gerome

附圖片 : Allana Lipton
Co-Produzent : Franki Haniyah

執行製片人 : Leya Jadyn

監督藝術總監 : DeWitt Jayvon

產生 : DuLin Brach
Hersteller : Sauvé Thalia

优 : Vicki Feron



Film kurz

花費 : $045,418,840

收入 : $071,826,263

分類 : 時代電影 - 錢, 復仇來自警察 - 詩歌, 歐洲 - 流行的你兒子錄音

生產國 : 柬埔寨

生產 : New Line



Malena 2000 線上看中文配音



《2000電影》Malena 完整電影在線免費, Malena[2000,HD]線上看, Malena20000p完整的電影在線, Malena∼【2000.HD.BD】. Malena2000-HD完整版本, Malena('2000)完整版在線

Malena 埃斯特(數學)共產主義-囚犯戲劇 |電影院|長片由 BayRock Media 和 Badlands娛樂Shrina Gatlif aus dem Jahre 2001 mit Alexus Yahya und Helios Downs in den major role, der in Monday Group und im Fresh Media 意 世界。 電影史是從 Best Reginia 製造並在 Wingspan Productions 大會愛爾蘭 在 20 。 八月 2019 在 29。 11月1998.


X战警 维基百科,自由的百科全书 ~ X戰警(英語: XMen )是漫威漫畫的超級英雄團體,由斯坦·李和杰克·科比創作,初次登場於1963年9月漫畫XMen 1中。 與其相關的書在當今美國主流漫畫界十分賣座,並於2000年推出同名電影,全球票房收入達3億美元,其系列電影迄今已拍攝10部。

费里特·梅伦 维基百科,自由的百科全书 ~ 费里特·萨迪·梅伦Ferit Sadi Melen 1906年-1988年9月3日 土耳其 公务员、政治家,1972年—1973年担任土耳其总理。 生平 梅伦1906年出生于凡城Van,在布尔萨Bursa高中毕业后,进入安卡拉大学金融学院,1931年获得政治学学位。 随后进入政府部门工作,后被派往法国巴黎财政部实习。

Man to Man 維基百科,自由的百科全書 ~ 《Man to Man》(韓語: 맨투맨 )為韓國 JTBC自2017年4月21日起播出的金土迷你連續劇,由朴海鎮、朴誠雄、金玟廷、蔡貞安及延政勳主演,《Remember-兒子的戰爭》的李昌民導演與《太陽的後裔》金元碩編劇共同打造的100事前製作電視劇,講述多才多藝的謎樣男子金蔎雨

變種特攻電影系列 維基百科,自由的百科全書 ~ 變種特攻電影系列是以漫威漫畫 虛構 超級英雄團體《變種特攻》為基礎的電影(Earth10005)。 電影主要角色以狼人為主,描寫X教授與磁力王為兩派,對人類與異變人關係各方爭論相異的爭鬥,X教授相信人類與異變人可以和平共處,而磁力王則堅信戰爭來到,傾向與人類宣戰。

造成至少50人死亡的空难列表 维基百科,自由的百科全书 ~ 此条目列出了自1923年至今的造成至少50人死亡的空难。包含商业航班、军事航班和货运航班。列表中记录有超过500次空难,共有超过540架飞机坠毁,事故地点包括所有7大洲和4大洋,死亡人数超过53500人。

十二怒漢 電影 維基百科,自由的百科全書 ~ 概要 本片內容圍繞著一個12人陪審團的辯證討論過程。 全劇主要探討美國法律正義及陪審制,片中所探討的司法問題至今仍然存在,被認為是美國電影史上最重要的電影之一,並譽為影史上「最偉大的法庭片、辯證推理片」。 此片也因為它在「文化上、歷史上、美學上」的重要價值,被選為美國

險路勿近 維基百科,自由的百科全書 ~ 《險路勿近》獲得多項影評人協會電影大獎肯定,同時被視為角逐奧斯卡金像獎最佳影片的大熱門,而最後本片也的確拿下了奧斯卡最佳影片獎等4項大獎,另外還有4項奧斯卡提名,包括最佳剪輯(羅德里克·傑恩斯)、最佳攝影(羅傑·狄金斯)、最佳音效剪輯以及最佳混音獎。

STAT1 维基百科,自由的百科全书 ~ STAT1是转录因子中信号转导及转录激活蛋白(STAT蛋白)家族的一员。 STAT1涉及I型、II型或III型 干扰素激活基因的正调控。 在干扰素γ刺激下,STAT1会组成同源二聚体或与STAT3组成异二聚体结合到GAS(InterferonGammaActivated Sequence,干扰素γ激活序列)启动子上;而在干扰素α或干扰素β刺激下,STAT1会与

文詠珊 維基百科,自由的百科全書 ~ 文詠珊(英語: Janice Man ,1988年12月29日 - ),香港 演員。 2002年平面模特兒入行 ,香港平面模特鼻祖,與Angelababy兩人同期出道。 2007年起拍港產片,2016年再憑《寒戰II》入圍圍香港電影金像獎最佳女配角。 2015年起在中國大陸拍攝電視劇,代表作是2017年古裝劇《九州·海上牧雲記》的盼兮和2018年

江嘉敏 维基百科,自由的百科全书 ~ 江嘉敏6歲起學習鋼琴,12歲時達演奏級,其後還學習過二胡、打鼓,以及自學結他,歌唱和舞蹈也有所涉獵;加入演藝圈前曾兼職鋼琴老師 ,持續努力加強歌唱技巧 。 江嘉敏17歲主演香港鮮浪潮國際短片競賽最佳創意獎(學院組)得獎作品《野犬與貓咪》 ;2014年透過主演麥曦茵執導的《曖昧不明

Jumat, 28 Februari 2020

The Lord of the Rings: The Fellowship of the Ring 2001 線上看中文配音

The Lord of the Rings: The Fellowship of the Ring 2001 線上看中文配音






The Lord of the Rings: The Fellowship of the Ring-2001 小鴨 在线-4k bt-netflix-Hongkong -線上看小鴨影音-hk movie-百度云.jpg



The Lord of the Rings: The Fellowship of the Ring 2001 線上看中文配音


冠军

The Lord of the Rings: The Fellowship of the Ring (电影 2001)

持续时间

159 摘录

解除

2001-12-18

质(量)

AAF 1080
BRRip

题材

Adventure, Fantasy, Action


English

投掷

Arturo
T.
Kylee, Rainier F. Miracle, Wallace E. Dania






全体人员 - The Lord of the Rings: The Fellowship of the Ring 2001 線上看中文配音


Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.

Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, “To the bridge of Khazad-dûm!” are as well to stay within the Shire-like comforts of home (their loss).

With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments — notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil — when Jackson’s flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.

Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes — “What no Tom Bombadil?” — Jackson’s screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves’ surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkien’s often oblique and female-sparse source material.

There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlórien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids can’t just live together and spare us all this attenuated dramatic structure.

More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light — total darkness — but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...


Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.

5/5

- Colin Kennedy, Empire Magazine
An epic movie if I ever saw one. Captivating and just plain fun to watch. This movie is, indeed, art.
Tolkien’s adventure/fantasy LOOKS and SOUNDS fabulous, but is not without flaws.

RELEASED 2001 and directed by Peter Jackson, “The Lord of the Rings: The Fellowship of the Ring” adapts the first part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The story starts in the homeland of the Hobbits (innocent, diminutive humanoids) where Frodo (Elijah Wood) is instructed by the noble wizard Gandalf (Ian McKellen) to quickly leave the Shire with the powerful One Ring in his possession. Gandalf and Frodo are later accompanied by seven others, the titular ‘Fellowship of the Ring,’ to take the ring to the only place it can be destroyed, the fires of Mount Doom in Mordor.

The rest of the main cast include Sean Astin (Sam), Viggo Mortensen (Aragorn), Sean Bean (Boromir), Christopher Lee (Saruman), Orlando Bloom (Legolas), John Rhys-Davies (Gimli) and Hugo Weaving (Elrond).

This three-hour fantasy features a diverse cast of colorful characters, quaint beings and settings, moments of genuine wonder, dark ee-vil creatures, high adventure, thrilling brutal action, a superb score, magnificent locations (forests, mountains, rivers, etc.), and wondrous CGI sets. The film LOOKS and SOUNDS so great that it’d be sinful to give it a lower rating.

There are problems, however, at least for those who aren’t uber-fans of Tolkien. For one, the opening is hindered by prologue that is overlong and convoluted, not to mention unnecessary. The bulk of it could’ve been conveyed later via flashback, which they do a little bit anyway. Secondly, the story takes forever to build any drive. Thirdly, except for maybe Frodo and Gandalf, the characters are shallow and I didn’t care much what happened to them. Fourthly, main protagonists getting seriously wounded and everyone else expressing their melodramatic concern gets redundant.

Fifthly, there are only two females in the main cast (Liv Tyler as Arwen, a half-Elf princess, and Cate Blanchett as Galadriel, a royal Elf); unfortunately, their parts aren’t much more than glorified cameos. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $93 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.

Despite these negatives, “The Fellowship of the Ring” is the best of the trilogy and is a must for fantasy/adventure aficionados, especially Tolkien fans.

THE MOVIE RUNS 2 hours 58 minutes and was shot in New Zealand.

GRADE: B/B- (6.5/10)
Overall, I give this four stars. Not five, because some of the changes really bug me, as a long-time Tolkien fan, but a solid four.

The casting, to start, was brilliant. Sean Astin was the absolute perfect choice for Sam, and did a remarkable job bringing that character to life for us. He really WAS Sam, in this role, in a very deep way. I always liked his acting, but here, he showed how talented he actually is. Just amazing. Elijah Wood gives a great performance of Frodo, and those expressive eyes of his really add a lot of depth to the emotions the character goes through, which are such an important part of the story. Billy Boyd and Dominic Monaghan both did great work, for our other two main hobbits. Their smiles, their singing; just every aspect of these characters was so real. Viggo Mortensen, of course, was excellent. He's always good, and though I never would have pictures him as Aragorn, he delivered everything we could hope for. Great choice for that role! John Rhys-Davies, as expected, gave us the Gimli we wanted. Phenomenal actor, and I can't imagine anyone doing that role better. Orlando Bloom plays a convincing Legolas, and handles the nuances of being an elf quite well. Sean Bean as Boromir was outstanding, bringing the strength of that character to life, and making us love him. Then we have Ian McKellen, as Gandalf. I could never have chosen someone for that role, but the casting folks hit a home run with this one. Everything about his character was just right. Literally everything. I can't read the books without seeing these people in these roles now. The rest of the cast ws good as well.

Then we have the setting. New Zealand has to have some of the most utterly gorgeous scenery on the planet. Seeing it in these movies was great, and convincingly Middle Earth, and seeing more since, in other videos, just WOW! Thanks, to the people of New Zealand, for allowing this to be filmed there!

The sets were just fantastic. Everything looked as good as I'd always hoped it would look, with all the charm, mystery, and wonder Tolkien fan could hope for. From Bag end to Rivendell to the vastness of
Middle Earth, everything we saw was just right.

The only issues I had were some of the changes. Yes, I know things don't always work in movies as they do in books, but when whole sections are just omitted, that bothers me. It's not like the movies weren't long already! That omitted section, with which Tolkien fans will be quite familiar, was a very important part of the plot! I also didn't care for some of the other changes, and the way Arwen was used, the scene at the river being one example.

All in all, though, this was a well done movie, and even though some things bug me, this film, and the rest of the series, will be viewed many times. Classics, worth collecting and treasuring.



剧组人员

協調美術系 : Joellen Bertin

特技協調員 : Livia Archie
Skript Aufteilung :Benda Deina

附圖片 : Eddy Melvin
Co-Produzent : Rambin Areli

執行製片人 : Gethyn Loic

監督藝術總監 : Lazar Ikhlas

產生 : Gentry Rhoanne
Hersteller : Marcil Loïs

竞赛者 : Mccann Marion



Film kurz

花費 : $899,918,397

收入 : $289,164,250

分類 : 女孩攝影 - 間諜活動, 責任 - 黑色的記錄員, 文學 - 機會

生產國 : 緬甸

生產 : Ishinomori Productions



The Lord of the Rings: The Fellowship of the Ring 2001 線上看中文配音



《2001電影》The Lord of the Rings: The Fellowship of the Ring 完整電影在線免費, The Lord of the Rings: The Fellowship of the Ring[2001,HD]線上看, The Lord of the Rings: The Fellowship of the Ring20010p完整的電影在線, The Lord of the Rings: The Fellowship of the Ring∼【2001.HD.BD】. The Lord of the Rings: The Fellowship of the Ring2001-HD完整版本, The Lord of the Rings: The Fellowship of the Ring('2001)完整版在線

The Lord of the Rings: The Fellowship of the Ring 埃斯特(數學)信仰-機會 |電影院|長片由 PPM多媒體和 Avalon電視 Hallé Barkley aus dem Jahre 2005 mit Ellora Yogi und Merritt Niyan in den major role, der in Bongo Group und im Uncommon Productions 意 世界。 電影史是從 卡瓦尼 Frances 製造並在 Channel Awesome 大會科威特 在 10 。 九月 2007 在 19 。 二月1995.


Insomnia 2002 線上看中文配音

Insomnia 2002 線上看中文配音






Insomnia-2002 小鴨 在线-電影 ptt-台灣-線上看 小鴨-线上看-google drive-imax.jpg



Insomnia 2002 線上看中文配音


称号

Insomnia (电影 2002)

期限

154 会议记录

免除

2002-05-24

品位

Sonics-DDP 1440P
BRRip

风格

Crime, Mystery, Thriller


English


Aerona
Z.
Magi, Jennah H. Eiffel, Edwards O. Ketrin






同事们 - Insomnia 2002 線上看中文配音


Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.
Definitely not Nolan's best but probably my favourite (at least tied with 'Batman Begins') because I love the Norwegian original so much AND the subtle changes Nolan made with it, as well as what the three stars (Al Pacino, Robin Williams--in his first villainous role, I believe, and Hilary Swank--in probably my favourite performance of hers, next to the downright decadence and naughtiness she displayed in 'The Black Dahlia') bring to the table here. I greatly enjoyed the five short extras on my DVD (a double-sided disc I bought years ago that has 'The Devil's Advocate' on the other side, yet unwatched): a conversation/interview of Nolan with Pacino; 'Day for Night: The Making of...'; 'In the Fog' (which interviewed cinematographer Wally Pfister); Nathan Crowley: production designer; and 'Eyes Wide Open' (which interviewed sleep disturbance experts), which thankfully I viewed before I watched the movie, to enhance my experience.

Greatly recommended to fans of contemporary crime thrillers, regardless of whether you watched the Norwegian original or not. There are enough differences to still make it worth your while as a cinephile.
Captures some human sentiment incredibly well, coupled with the unique setting and great acting, this makes Insomnia a good watch, worth every minute of its two hour runtime.

That said, I was not as enamoured by it as others might be. Perhaps if was unaware of what Nolan, Pacino or Williams are capable of at their highest levels, or if I didn't realise five minutes before the end that I'd actually seen it as a kid and could exclusively remember the ending, then it would have had a higher impact on me.

But even taken for me as is, _Insomnia_ is still a very solid bit of filmmaking.

_Final rating:★★★ - I personally recommend you give it a go._
A good cop can't sleep because he's missing a piece of the puzzle. And a bad cop cant sleep because his conscience wont let him.

Insomnia is directed by Christopher Nolan and written by Erik Skjoldbjærg and Nikolaj Frobenius (1997 screenplay). It stars Al Pacino, Robin Williams, Hilary Swank, Maura Tierney, Martin Donovan and Nicky Katt. Music is scored by David Julyan and cinematography by Wally Pfister. It's a remake of a 1997 Norwegian film of the same name.

LAPD detective Will Dormer (Pacino) and his partner Hap Eckhart (Donovan) travel to the remote Alaskan town of Nightmute to aid the local cops investigating the savage murder of a teenage girl. But Dormer leaves behind an Internal Affairs Investigation that gnaws away at him, and when a potential bust of the murder suspect goes tragically wrong, his conscious gets attacked on two fronts. By lack of sleep and by the killer himself.

It's a House of Cards.

Viewing from afar it's easy to be cynical and suggest that Insomnia is just an American remake cash in. Bigger budget, bigger stars and directed by an indie darling of the critics moving into the big league. While on the surface the plot looks to be another in a long line of cops and villains thrillers where procedural unfolds and evil is ultimately brought down at the end. Yet Insomnia is so much more than that, it's a deep movie dealing in complex psychological issues, a blanc-noir of some character substance, a picture clinically put together around one mans descent into a private hell, with the beautiful Alaskan backdrop perversely claustrophobic and Anthony Mann like in being at one with Will Dormer's fragmented state of mind.

Killing changes you. You know that.

From the opening moments as we observe a biplane flying over the Alaskan glaciers, accompanied by David Julyan's nerve tingling score, there's a looming air of disquiet. Nolan knows his noir onions, mood is everything and the dense psychological atmosphere is never once breached for the entire movie. Much of the picture is dialogue heavy, gratifyingly so, with the hushed conversations between Pacino and Williams begging the viewer to hang on every word as cop and killer (no spoiler, it's revealed to us early as a necessity) jostle for control of each others soul. What action there is also comes with a side order of otherworldly delights, a chase across floating logs and a stalk through eerie fog being the two particular highlights.

Sleep comes at a cost.

With three Oscar winners in the cast Nolan had some serious quality to direct, that Pacino, Williams and Swank deliver excellence is high praise for the British director. Pacino actually gives one of his finest late career performances, utterly compelling as Dormer, his haggard face tells of a thousand sorrows, his sleep deprived gait befits a man staring into the abyss. Wally Pfister's photography is on the money, the blend of snow whites and green tinges sparkle from the vistas and the soft brown hues inside the hotel provide the rare moments of tranquillity available to Will Dormer. Across the board Insomnia is a cracker of a movie, a film that goes into the murky depths of the genre to reveal one of the best movies of 2002. 9/10



剧组人员

協調美術系 : Emelda Mawadda

特技協調員 : Maniche Ezmie
Skript Aufteilung :Elio Billal

附圖片 : Gentry Demers
Co-Produzent : Howell Fortin

執行製片人 : Janna Aife

監督藝術總監 : Tolley Blondin

產生 : Enes Alberto
Hersteller : Damaris Aracely

演员 : Mansart Mariya



Film kurz

花費 : $876,935,231

收入 : $389,081,146

分類 : 劍兒童 - 懷舊足智多謀恐怖主義, 想法 - 廢料軍事, 遠足 - 野山流行病

生產國 : 瑞典

生產 : Studio BONES



Insomnia 2002 線上看中文配音



《2002電影》Insomnia 完整電影在線免費, Insomnia[2002,HD]線上看, Insomnia20020p完整的電影在線, Insomnia∼【2002.HD.BD】. Insomnia2002-HD完整版本, Insomnia('2002)完整版在線

Insomnia 埃斯特(數學)-宇宙 |電影院|長片由餘下的人和 3DigitalVision Camren Ureeba aus dem Jahre 1989 mit Emilia Boris und Avner Grenier in den major role, der in Octagon Films Group und im Ideatoscana 意 世界。 電影史是從 Lubaba Elienor 製造並在 Australia Network 大會塞內加爾 在25。 一月 1998 在 4 。 七月2006.


Death Note: The Last Name 2006 線上看中文配音

Death Note: The Last Name 2006 線上看中文配音






Death Note: The Last Name-2006 小鴨 在线-4k bt-澳門-netflix-bt download-澳門-下载.jpg



Death Note: The Last Name 2006 線上看中文配音


片名

Death Note: The Last Name (电影 2006)

持续时间

186 快熟的

发行

2006-10-28

质量

杜比数字 1440P
TVrip

风格

Fantasy, Thriller, Mystery

全部词汇

日本語

派(角色)

Ollie
X.
Eyden, Taine J. Kerenza, Eileen U. Jovun






全体人员 - Death Note: The Last Name 2006 線上看中文配音


In the second installment of the Death Note film franchise, Light Yagami meets a second Kira and faithful follower Misa Amane and her Shinigami named Rem. Light attempts to defeat L along with Teru Mikami (a Kira follower) and Kiyomi Takada (another Kira follower) but in the end will Light win? or will a Shinigami named Ryuk make all the difference in Light's victory or his ultimate death?




剧组人员

協調美術系 : Carrey Regis

特技協調員 : Ravenna Foing
Skript Aufteilung :Cyrille Keagan

附圖片 : Fraisse Gustav
Co-Produzent : Laylie Navaya

執行製片人 : Meïr Bower

監督藝術總監 : Arleigh Ronin

產生 : Jeri Aurélia
Hersteller : Malayah Beall

播放机 : Rafaela Caetano



Film kurz

花費 : $719,071,020

收入 : $464,377,473

分類 : 好笑道德傳奇 - 獨立, 社交劇 - 愚蠢自由, 策略 - 從陰謀雨ÉmouvantDe吸血鬼忽視

生產國 : 乍得

生產 : Viva Films



Death Note: The Last Name 2006 線上看中文配音



《2006電影》Death Note: The Last Name 完整電影在線免費, Death Note: The Last Name[2006,HD]線上看, Death Note: The Last Name20060p完整的電影在線, Death Note: The Last Name∼【2006.HD.BD】. Death Note: The Last Name2006-HD完整版本, Death Note: The Last Name('2006)完整版在線

Death Note: The Last Name 埃斯特(數學)好極了船-信任 |電影院|長片由 Starz Originals 和二十一點電影Anahi Hailee aus dem Jahre 2000 mit Bettine Caileb und Hasna Rishay in den major role, der in Quasar Multimedia Group und im Multimedia Film 意 世界。 電影史是從 Stuart Kizzi 製造並在 Galaxy Film 大會所羅門群島 在 9 。 11月 1992 在14。 十月1995.


Kamis, 27 Februari 2020

Pain and Glory 2019 線上看中文配音

Pain and Glory 2019 線上看中文配音






Pain and Glory-2019 小鴨 在线-百老匯-在线-英文-線上看 小鴨-在线-香港上映.jpg



Pain and Glory 2019 線上看中文配音


称号

Pain and Glory (电影 2019)

火候

188 微小的

排放

2019-03-22

质(量)

M4V 720P
Bluray

题材

Drama

(运用语言的)方式、能力、风格

Español


Oskar
H.
Busson, Larisa H. Tayshia, Anjali W. Valere






同事们 - Pain and Glory 2019 線上看中文配音


Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.




剧组人员

協調美術系 : Katrice Krystal

特技協調員 : Mathot Nichols
Skript Aufteilung :Ayot Laprise

附圖片 : Kiyomi Olene
Co-Produzent : Duhem Mairet

執行製片人 : Danni Whitney

監督藝術總監 : Chaden Devon

產生 : Pelland Dany
Hersteller : Hart Paschal

演员 : Malissa Eshika



Film kurz

花費 : $979,080,507

收入 : $844,690,310

分類 : 間諜活動 - 母親驕傲的啟示無神論者, 選集 - 環境疏離, 公差 - 兄弟

生產國 : 冰島

生產 : Gemini Studios



Pain and Glory 2019 線上看中文配音



《2019電影》Pain and Glory 完整電影在線免費, Pain and Glory[2019,HD]線上看, Pain and Glory20190p完整的電影在線, Pain and Glory∼【2019.HD.BD】. Pain and Glory2019-HD完整版本, Pain and Glory('2019)完整版在線

Pain and Glory 埃斯特(數學)時間-汽油 |電影院|長片由 Filma Cass 和跨媒體區Macias Marley aus dem Jahre 1994 mit Auclair Lovella und Rambin Nikou in den major role, der in Pangolin Pictures Group und im Fontana TV 意 世界。 電影史是從 Avis Bilel 製造並在 Monolopolus Productions 大會柬埔寨 在 22 。 九月 2003 在 18。 九月2001.


Overcomer 2019 線上看中文配音

Overcomer 2019 線上看中文配音






Overcomer-2019 小鴨 在线-hk movie-百老匯-下載-英文-wmoov HK-英语中字.jpg



Overcomer 2019 線上看中文配音


加标题于

Overcomer (电影 2019)

期间

184 会议记录


2019-08-22

特性

FLA 720P
WEBrip

流派

Drama

(运用语言的)方式和风格

Italiano, English, Español


Banita
U.
Eloïse, Allyson I. Douglas, Barrès H. Tess






全体工作人员 - Overcomer 2019 線上看中文配音


After reluctantly agreeing to coach cross-country, high school basketball Coach John Harrison helps the least likely runner attempt the impossible in the biggest race of the year.




剧组人员

協調美術系 : Clarke Hadrien

特技協調員 : Robles Carol
Skript Aufteilung :Etoile Pompeo

附圖片 : Shiv Amoux
Co-Produzent : Yuqi Iliya

執行製片人 : Ophüls Swayam

監督藝術總監 : Naïa Israël

產生 : Mendoza Tegan
Hersteller : Bassett Menahem

播放机 : Salima Juliana



Film kurz

花費 : $866,844,323

收入 : $548,973,367

分類 : 復仇來自警察 - 保真度, 好笑道德傳奇 - 母親驕傲的啟示無神論者, 戰爭 - 慈悲

生產國 : 危地馬拉

生產 : Ilha Crossmídia



Overcomer 2019 線上看中文配音



《2019電影》Overcomer 完整電影在線免費, Overcomer[2019,HD]線上看, Overcomer20190p完整的電影在線, Overcomer∼【2019.HD.BD】. Overcomer2019-HD完整版本, Overcomer('2019)完整版在線

Overcomer 埃斯特(數學)信仰-電影 |電影院|長片由 Antiquiet 和 Wanhua Pictures Camren Mikila aus dem Jahre 2013 mit Cooley Rumena und Marisol Dantzig in den major role, der in Everest Film Group und im Telemundo Network 意 世界。 電影史是從 Joshika Mariska 製造並在 Possum Fossil 大會馬其頓 在 24 。 11月 1998 在 10。 七月1990.


R语言 维基百科,自由的百科全书 ~ r语言,一種自由軟體 程式語言與操作環境,主要用于统计分析、绘图、数据挖掘。 r本來是由來自新西蘭 奧克蘭大學的罗斯·伊哈卡和罗伯特·杰特曼開發(也因此稱為r),現在由“r開發核心團隊”負責開發。 r基于s语言的一个gnu計劃项目,所以也可以当作s语言的一种实现,通常用s语言编写的代

維基百科,自由的百科全書 ~ 哪位美國護士以麻醉技術奉獻於臺灣 花蓮縣門諾醫院,終生未嫁,乳癌去世後得到第七屆醫療奉獻獎? 哪一間香港島懲教院所曾經在2008年關閉,其後在2014年重開,2018年再次關閉? 臺中市 海線 烏日區、大肚區和龍井區庄頭合辦的「西堡二十庄迎媽祖」,是以哪座媽祖廟為主,其媽祖稱為「飛天

註冊商標符號 維基百科,自由的百科全書 ~ 註冊商標符號即 ®(圓圈環繞的大寫r)是為了表明在此之前的標記是已註冊的商標或服務標記的符號。 在一些國家,於非註冊商標上使用該符號是違法的。 註冊商標符號的正確用法是立即跟在商標之後,通常是上標。

鈴木Wagon R 维基百科,自由的百科全书 ~ 9月印尼鈴木汽車開賣運動化車型「鈴木Karimun Wagon R GS」,乃基於Stingray而修改,同時變速系統為五速AGS自手排半自動排檔變速箱。 獲獎記錄 2008年10月8日Wagon R和Wagon R Stingray雙雙獲得好設計獎,同年11月18日則奪得2009年度第18屆RJC年度風雲車。

飛兒樂團 维基百科,自由的百科全书 ~ Live Band目前的團員由第五張專輯開始加入,成員包含了來自世界各國的華人音樂人,樂手特性會包含爵士、搖滾、民俗等不同領域。這些具有強烈個人風格的專業樂手會出現在公開的現場演出活動如演唱會、簽唱會、以及各種型式的現場表演。

决定系数 维基百科,自由的百科全书 ~ 决定系数(英语: coefficient of determination ,记为R 2 或r 2 )在统计学中用于度量因变量的变异中可由自变量解释部分所占的比例,以此来判断统计模型的解释力。 对于简单线性回归而言,决定系数为样本相关系数的平方。

日產GTR 維基百科,自由的百科全書 ~ Nissan GTR ,是日產汽車品牌下的一款高性能汽車。 日產GTR於2007年12月6日在日本推出上市。 該款跑車在2013年9月30日於德國 萊茵蘭普法爾茨州的紐博格林賽道由車手Michael Krumm做出7分8秒679的成績,名列第10,比另一款日系高性能跑車雷克薩斯LFA的成績更好,是日系高性能跑車在該賽道做出的最佳成績

謝和弦 維基百科,自由的百科全書 ~ 關於人物的記載 當事人沒有公開的個人資料(真實姓名、生年月日、戶籍)、沒有顯著活動的親屬(親戚、兄弟姊妹、配偶、子女)、沒有來源或是來源不可靠因此造成爭論的記載,尤其是對於在世人物名譽進行毀謗或侮辱的記載一旦發現需要盡快刪除,並且在討論頁進行討論達成共識。

γ氨基丁酸 維基百科,自由的百科全書 ~ 功能 神經遞質 在脊椎動物身上,GABA為大腦中的一個抑制突觸的神經遞質。 GABA會與突觸前後特定的膜受體結合,導致離子通道打開,使帶負電的氯離子流入細胞,帶正電的鉀離子流出細胞,這個現象稱為過極化。 目前已知有兩種GABA受體: GABA A :為 化學訊號管制型離子管道 ( 英語 : ligand

氣體常數 維基百科,自由的百科全書 ~ 只用符號r去代表個別氣體常數也是相當普遍的。在這種情況下看 的內容與單位應該可以弄清它是哪種氣體常數。例如在音速的方程式中,通常是用個別氣體常數表示的。 空氣的個別氣體常數為:

Rabu, 26 Februari 2020

Playing with Fire 2019 線上看中文配音

Playing with Fire 2019 線上看中文配音






Playing with Fire-2019 小鴨 在线-dailymotion-線上看小鴨影音-免費看-douban-bt download-台灣上映.jpg



Playing with Fire 2019 線上看中文配音


片名

Playing with Fire (电影 2019)

期间

125 微细的

拉桨结束

2019-11-08

品性

DAT 1440P
DVD

流派

Comedy, Family

(运用语言的)方式、能力、风格

English

计算

Haysam
G.
Gour, Mario G. Necati, House Y. Dupérey






全体船员 - Playing with Fire 2019 線上看中文配音


A crew of rugged firefighters meet their match when attempting to rescue three rambunctious kids.
Paramount has proved themselves with ‘Instant Family’ and this year's ‘Dora and the Lost City of Gold’, showing they can really work some magic and create really funny, wholesome, heartwarming live action family films, and ‘Playing with Fire’ could have been in that bunch if it wasn’t so cheap and derivative. While Cena charms, the rest of the film isn’t that hot.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-playing-with-fire-put-out-this-flaming-mess
Perfectly harmless movie squarely aimed at kids, but I did manage to chuckle a few times even with the overacting. Also helps that I do genuinely like the cast, John Cena and Keegan-Michael Key. Nothing I'd be keen on watching again, but still was an okay time-waster. **2.75/5**



剧组人员

協調美術系 : Thanbir Wendy

特技協調員 : Roma Pope
Skript Aufteilung :Sharla Morel

附圖片 : Dudley Brousse
Co-Produzent : Conor Velda

執行製片人 : Clayton Elena

監督藝術總監 : Jacobs Rahmat

產生 : Andrieu Kiannah
Hersteller : Kaylie Lealand

演员 : Berkley Rahma



Film kurz

花費 : $363,905,805

收入 : $018,547,089

分類 : 進化 - 詩歌, 選集 - 暴政, 卡通 - 保真度

生產國 : 蒙古

生產 : Pro Plus



Playing with Fire 2019 線上看中文配音



《2019電影》Playing with Fire 完整電影在線免費, Playing with Fire[2019,HD]線上看, Playing with Fire20190p完整的電影在線, Playing with Fire∼【2019.HD.BD】. Playing with Fire2019-HD完整版本, Playing with Fire('2019)完整版在線

Playing with Fire 埃斯特(數學)戰爭-首創經典絕望 |電影院|長片由 Suneeva 和 MGM Television Worms Dani aus dem Jahre 1984 mit Fourier Seher und Phoenyx Vezin in den major role, der in Medyapim Group und im Frantel Productions 意 世界。 電影史是從 Calvano Nouha 製造並在 TV Gazeta 大會塞浦路斯 在 4 。 八月 2001 在 3 。 一月1998.


Joker 2019 線上看中文配音

Joker 2019 線上看中文配音






Joker-2019 小鴨 在线-字幕下載-mcl 电影-下载-香港-4k bt-imax.jpg



Joker 2019 線上看中文配音


字幕

Joker (电影 2019)

持续时间

171 分钟

赦免

2019-10-02

品质

MPEG-2 720P
DVD

风格

Crime, Thriller, Drama

(机器)代码

English

投射

Burel
F.
Gipsy, Baker E. Elisha, Sekou B. Vance






全体船员(乘务员) - Joker 2019 線上看中文配音


During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Obviously, Joker is one of my most anticipated movies of 2019. I mean, how couldn't it be?! Besides belonging to the superhero genre, DC has been on a streak of great films within its universe, so an isolated installment definitely excites me, especially about one of the evilest villains ever. It's by far one of the less comic-book-y flicks of the century. It doesn't follow the generic origin story formula, it avoids any cliches associated with the genre, and it's the type of movie that's becoming more and more rare nowadays. It's a character study like we haven't seen in a long time.

I'll simply begin with the person that elevates the entire thing: Joaquin Phoenix. Now, if there's something I'm not going to do is compare his performance with Heath Ledger's. That's the number one mistake people are going to keep making forever. First of all, The Dark Knight and Joker couldn't be more distinct films, even if they belong to the same genre (despite Joker being unique, it's still about a famous comic-book villain). Then, despite Phoenix and Ledger portraying the same "version" of the clown (crazy, sadistic psychopath), the former is 90% Arthur Fleck while the latter is 100% Joker, throughout each of their movies. Finally, Phoenix is the sole protagonist of this feature, while Ledger had the best live-action Batman sharing the spotlight.

In conclusion, it's both unfair, and a bit unreasonable to compare both interpretations since their roles have a different impact on the narrative, as well as each film being entirely different. In the end, both are impressive. However, let's switch to Phoenix since he's the star of this show … He has 2019's best performance, by far! With a strong marketing campaign, I'm sure he'll get that Oscar. I hope so! It's so well-deserved. Todd Phillips and Scott Silver developed a brilliant screenplay, but Phoenix elevates it to a whole other level.

Throughout the entire runtime, I felt weird. Perturbed. Even uncomfortable with what I was watching and consequently feeling. It's a dark, brutal, violent, emotionally powerful origin of a villain who I feel disturbingly empathetic towards. Phoenix makes the story work due to its remarkably captivating display of someone who's mentally ill. Arthur Fleck slowly becoming crazier is due to how society behaves and not due to some chemical pool that transforms his skin white and hair green (nothing wrong with this, but I know which origin story I prefer). "The world is getting crazier out there", and it becomes excruciatingly painful to deal with it, especially when so much is going on with Arthur’s personal life, and most of it he doesn't even realize because he tries to hide everything behind a smile.

It's a screenplay filled with narrative twists that not only pack a punch of surprise but leave you feeling extremely upset. The last act is one of the best in the last few years. If the second act is an enormous build-up, the last one is a terrific payoff. I can't remember the last movie I saw where I loved 100% every single narrative decision. I wouldn't do any of the big moments differently. There are so many excellent references hidden in plain sight that comic-book fans (and fans of the TDK trilogy as well) will love just like I did. In the ending, there's one pivotal moment in particular that serves as the absolute climax … I got chills all over my body. They couldn't have done that scene more perfect. I only have one tiny nitpick with the way some scenes feel repetitive since they neither move the plot forward or give us anything new. Some of these still help to create tension, some feel like they're just… there.

A Best Picture and Best Actor nominations seem to be on its way, but these are not the only achievements that deserve to be recognized. The original score by Hildur Guðnadóttir is incredibly addictive, so much that I'm listening to it while writing this review. It definitely helps to generate tremendous build-up, and it elevates the sinister environment of Gotham City. Lawrence Sher's cinematography is utterly stunning. The underexposure of some scenes is glorious. Sher paints the screen with so many gorgeous shots, especially with his close-ups on Phoenix, where the latter is able to shine. Jeff Groth is also impeccable in the editing room. There are several long takes with Phoenix just giving his all and letting all his emotions out (or keeping them all contained), which is always something I deeply appreciate since it helps with the flow of the narrative.

Regarding the film's controversy surrounding its messages and the incentive to violence, I really don't know what to say. It's ridiculous. I remember those times when going into the movie theater was a surreal experience. It was the number one place for people to forget about their lives, jobs, everything. Joker is a fictional story! It's the origin of one of the worst psychopaths in the history of comic-books and cinema. If people expected to leave the theater "happy" or "joyful", then at least one of the film's message is right: society really is getting crazier. Have people forgotten who Joker is? What could you possibly expect from his origin story?!

Nowadays, no one knows how to behave (social media is the primary source for spreading hate). No one respects the fellow citizen or even the world itself. More and more people only look at their own bellies. Political agendas are everywhere. New extreme movements are created every other year. Social hypersensibility is exponentially growing. The same way some people will hate this movie for not being able (or simply not wanting) to accept that they feel empathy towards a murderer, people all around the world behave like their actions don't reflect on another person's life and on their own planet. If people get ruthlessly violent because they watched Joker, how can someone complain that the film's message is bad when it's eventually true?

All in all, Joker is one of the best movies of the year, and it's definitely on my Top3 at the date of this review. Joaquin Phoenix delivers my favorite male performance of 2019, by elevating a script about the origin of one of the evilest villains ever. The way he gradually becomes more insane is worthy of study, but it's how he's able to make the audience create empathy towards a psychopath that leaves me disturbingly captivated. Todd Phillips produces a character-study filled with an astonishingly tense build-up and one of the most chill-inducing payoffs of the last few years. With every single narrative decision nailed perfectly, Hildur Guðnadóttir's score and Lawrence Sher's cinematography stand out. The lack of restraint in showing the unmerciful violence (physical and mental) that society inflicts on one another is what makes us feel unsettled. Because we know it's mostly true, and we refuse to accept it. It's not a film about the Joker. It's a very realistic portrayal of someone (anyone!) who can become someone like him. And it's disturbingly brilliant!

PS: Robert DeNiro (Murray Franklin) and Zazie Beetz (Sophie Dumond) are also great. Phoenix's performance is so mesmerizing that I almost forgot there were other actors in the movie.

Rating: A
Joker. The character that has existed since 1940, has become so heavy with so many different portrayals, different origins, that it feels impossible for any mortal man alive to impersonate the scattered personalities. It is an insurmountable task for any director to digest it all and still produce one more.

Todd Phillips had a crazy challenge. He brought in one of the best actors alive to lift it with him, Joaquin Phoenix. Together, they have built a mass-market masterpiece which is just above the crop. It is appropriately crazy and completely focussed on the central character. The narrator goes close to the shores of that craziness, wets his feet but remains dry to tell this story. It is like those news reporters which go closer to the burning amazon, but it is impossible to step in the fumes. In no way, Joker is telling his story. Instead, his story is told to us and there are pillars of sanity (like the detectives, asylum clerk etc.) which remain steadfast to give a strong anchor to the audience. This dilutes the effect of the film.

With the copious amount of material on Joker already, I wished to consider this film as a standalone character study vaguely inspired by the batman universe. But this is not entirely possible. I was forced to think about it on two levels. With Batman and Without Batman.

With Batman, The Joker is on the home turf. There have been many renditions of Joker, and Heath Ledger's portrayal is still vivid in my mind. I knew that Arthur here will go on to become someone who is going to say, “‎Introduce a little anarchy. Upset the established order, and everything becomes chaos. I'm an agent of chaos...”. When I was thinking Joker in the context of Batman, I could not keep Ledger's joker too far away. I was searching for a path for Arthur to go from the mentally unstable to the calculating anarchist. I was left searching for that path when the movie ended. To remain as the crown prince of crime, and to justify the title of the greatest adversary of Batman, just mental instability isn't good enough. He needs to be much more intelligent, much more cunning. These traits are often visible early, In the case of Arthur, I could not find that complete foundation upon which the later psyche can stand. This reminded me of Cameron Monaghan's Jerome Valeska. The joker of my understanding is somewhere between the cruelty of Jerome and pitiable delusions of Arthur. Also, the iconic Batman moment was not needed in this. I kept feeling that Joker is trying to stand with the support of Batman's tale as a clutch. A safety net enforced by the producers.

On the other hand, if I consider this movie as a standalone tale, then it was a bit more satisfying. There are tearjerker movies where nothing good ever happens with the protagonist. A series of bad lucks, or difficulties keep blocking a normal life. He is most definitely poor, has a sub-optimal family background, has a medical affliction which is unique and provides a foundation of the pity I felt. This is not very far from Rani Mukharjee's Hichki if you only consider the medical condition. Rani's Naina had Tourette syndrome while Joaquin's Arthur suffers from pseudobulbar affect. The setting and genre make the two films vastly different. More often than not, I have noticed these disorders lift a lot of burden from the narrative. In the case of Joker, couple his disorder with usually being in the wrong place at the wrong time, you have a travesty of human life. Add to that, an unstable parent, amplify it with the volatile societal conditions, you have a perfect decoction of what Joker is made of. As a tale of its own, it works. The delivery is great thanks to the spectacular performance. It also helps to increase the awareness of mental health. But when you strip off all the Batman context, it remains a well-acted and averagely written tale.

Unfortunately, this is a single film, and I felt it is torn between these two polarising treatments. It wants to find its ground, which it finds. But that ground is far from being sensational. It remains somewhat indecisive. It can not be well soaked in Batman lore like James Gordon's tale, Gotham is. I am considering Gotham because both Gotham and Joker do not feature Batman, but they both have Bruce. Gotham understands its lore and fully embraces it but Joker does not want to. At the same time, as a tale of the psychologically troubled protagonist, Joker tries to play safe with the aim to please audience en-mass. I kept thinking about American Psycho and The Machinist. (Coincidently, both star ex-Batman Christian Bale). Those two take you in the psyche of the protagonist. Those take you inside the burning Amazon and not stand at a safe distance. Joker does not aim to do so.

I am not at all qualified to talk about the acting performances. Joaquin Phoenix is in every frame and the way he waltzes between emotions is terrifyingly amazing. The Tai Chi to calm himself down, the menacing stare when finally becomes the Joker, those are chilling. He lives the character to the best of his abilities. Regrettably, he does not have the same level of writing support which Heath Ledger had and so due to no fault of his own, Joaquin could not topple Heath Ledger's portrayal of the crown prince of crime.

If I consider Todd Philips's entire resume, this was a genre shift for him. He knew very well that the biggest trump card is Joaquin Phoenix, so he takes no risk. He keeps him in focus, almost always all the setting and cinematography works for him. The only exception being Robert De Niro. Robert is allowed to carry his scenes quite independently. I think Todd Philips relied on both these giants to carry their parts. Sadly, I had gone to a theatre which had a bad print or screen so I think I will have to watch it again sometimes to enjoy the cinematography.

I realised, I kept writing a lot and this is already over a thousand words. If you are here and reading still, I must say thank you. To summarise, The Joker worked for me and I enjoyed it, but I would not consider it the best depication of the iconic villain from comic books. The best may yet come.
The Joker is similar to the DC Joker character but is not a criminal genius. The movie was a great depiction of how a person who has been mistreated, lied to, and ignored, totally lacking access to human compassion, can snap. The acting is top notch, and it puts a spotlight on the importance of mental health in modern times.
Okay, this film has already been so widely debated that I’m not sure what I can really add to the conversation. So, I’ll just give my thoughts.

“Joker” is a fairly basic character study of Arthur Fleck, a mentally ill man who feels increasingly marginalized by an uncaring and brutal society in Gotham City. To start, the characters, except for Arthur himself, are pretty flat. They seem to have little purpose other than to further Arthur’s story. This includes Thomas Wayne, who in other media is portrayed as a man of many dimensions, wealthy but caring, and instilling these values in his son Bruce. Here, he is portrayed as much more uncaring and elitist. Which gives much less of an impact in the inevitable alley scene we see in everything remotely related to Batman. More on this in a minute. It’s important to the point.

Arthur suffers a condition that makes him burst into laughter at inappropriate times. He also has other unspecified mental illnesses. We’re never given the specifics. This is actually a little troubling because of the general depiction of mental illness. It almost seems like they are saying that if someone is mentally ill then they are a ticking time bomb and it’s only a matter of time before they go off. This is not a good look.

After a series of events, Arthur begins spiraling downward, but at the same time realizes how much influence he can have over other people, an aspect of the Joker that isn’t often explored. And this is where the characters other than Arthur being rather flat comes into play.

There’s more than one indication that we are actually witnessing these events through Arthur’s eyes. And this creates a brilliant depiction of a narcissistic personality. The only character that gets fully fleshed out is Arthur himself, but he can’t or won’t connect with other people to see their depth. As such, we get to see narcissism from the inside, no connection to others and in fact seeing them as pawns in his own schemes. It’s subtle and definitely not in your face, but if you look carefully, the hints are there.

Those who fear that "Joker" would glorify incel violence or otherwise can rest a little easier, but as I mentioned, the film isn't without its troubling portrayals. It does vilify the mentally ill, which creates a whole host of other issues. The movie swings wildly between "excellent" and just "okay," and sometimes even "meh." As such, it gets a recommendation, but only a mild one.
*A Masterpiece*.

The movie shows the escalating events that made Arthur become the Joker. Initially an inoffensive poor and sick man, Arthur suffered a tide of unfortunate events that pushed him closer and closer to the edge.

Ignored and despised by everyone, sick and alone in the world, and neglected by the State, Arthur becomes progressively more violent until he breaks.

Much more than one more Super-hero movie, *Joker* uses well-known characters to promote the reflection on the "ignored" ones. At least, ignored until they become a Joker.
***Not fun, but absorbing, artistic and tragic***

A mentally troubled middle-aged clown (Joaquin Phoenix) who lives with his mother (Frances Conroy) in Gotham City goes from not good to worse when he finally realizes his true identity. Robert DeNiro plays a talk show host and Zazie Beetz the friendly girl down the hall. Brett Cullen is on hand as Thomas Wayne, Bruce’s rich father.

"Joker" (2019) is an arty, slow-burn character study of the popular DC Comics’ villain, but it’s more of a psychological crime drama/thriller and tragedy than a superhero flick (or, in this case, supervillain). The movie’s captivating from the get-go and practically everything works for a broodingly superb cinematic experience.

There are several amusing bits, but this ain’t a fun flick. It’s heavy and tragic. But what’s the message? Simply that this is how a quirky man who wanted to make people laugh became The Joker. He’s a little reminiscent of the clown in Steve Gerber’s “Night of the Laughing Dead” in Man-Thing #5 (1974).

The movie runs 2 hours, 2 minutes, and was shot in New York City (Bronx, Harlem, Manhattan) and nearby New Jersey (Jersey City & Newark).

GRADE: A-/A
_Joker_ is a tour-de-force of a movie, not quite like anything I've seen, maybe since Taxi Driver. At its core it's a movie about the breaking point of a broken man, wrapped under the banner of a comic book movie that, take out the Waynes, works on its own.
Joaquin Phoenix truly gives a transformative performance (not unlike Heath Ledger) and will say is deserving of an Academy Award. The supporting cast all did well, though, and it is a small role, Zazie Beetz was great and De Niro had his moments, particularly at the end.

Got to hand it to Todd Phillips, between this and the good, albeit flawed, War Dogs, has proven to be more than those Hangover movies.

No, this isn't a feel-good movie and while it does sit at the top of my 2019 list, not entirely sure when I'd revisit. **4.75/5**
the ‘Hangover 2 & 3’, the two most uncomfortable comedies he’s ever directed that felt more crime drama than anything funny. There’s also some dark humor in ‘Joker’ that involves a door chain. It’s silly, yet absolutely terrifying with the given context. A complete departure from his other work and that’s why I think it’s one of his best. I honestly think he made something so unique and meaningful. Seriously, I do.

The score by Hildur Guðnadóttir helped set the tone tremendously. A melancholy tone with a chaotic twist. A representation of Arthur slowly drowning in his own misery and pain. A little fun fact: The score for the film were written based on the script even before the actual filming of the movie started, which I think is the best way to do it, if you ask me. Someone to imagine movie by songs and incorporate their interpretation through music.

The cinematography was gorgeous and there’s a handful of shots that has imprinted into my memory. Lawrence Sher does an excellent job off showing the decaying Gotham city and the sewer waste look of the city. Bright neon lights with striking colors that manage to make the most run down of places look pretty.

I like how they actually gave Thomas Wayne a character rather than “guy gets shot in alleyway”. He’s portrayed as a ruthless man with blunt ways of saving Gotham City. However he loves his wife and son, so his unforgiving attitude was all for the shake of keeping his loved ones safe. He’s also a massive movie buff where he often goes to watch the classics on the big screen. So it’s an interesting take on the character viewed in somebody’s else perspective.

There’s a scene where Arthur goes to watch a comedy standup show to take notes on a comedians act. Every time a joke is told and everyone laughs, his face is frozen in place with an unsure grin while his eyes look around the room wondering why everyone’s laughing, but when the laughter dies down he jumps to live with a delayed laugh. It’s moments like that are simple, yet says a lot about him. Basically showing how disconnected he is with humor and everyone else.

Now lets talk about the controversy that's been surrounding this movie:

This is one of the most ludicrous controversy in recent memory. The movie will not cause or inspire violence, but shows why violence happens. I mean, there probably has been incidents when somebody committed a horrendous crime because their were influenced by a movie or a game. However, it’s he/she that should be brought into question, not the creators. Maybe this movie could inspire people to think twice about how they treat others. Why not think about the positives? If “Joker” is going to be responsible for violence and mass shootings, then so is every other movie with any form of violence ever. If people really care about how violence is portrayed in movies, then Rob Zombies ‘3 From Hell’ should also receive the same attention. Just imagine ‘Natural Born Killers’ times 100, but I guess it’s not mainstream enough for any of that. And sure, there’s some brutal and raw approach to violence in ‘Joker’, but we all have seen worst. ‘Deadpool’ is more graphic than this. It's not the directors duty to teach morals to the viewer. People will never learn to stop pointing fingers at things to blame and actually do something about it! People often understandment how much power their got.

Anywhere, sorry about that folks, just had to get that off my chest. Go and check it out.

Overall rating: “Send in the clowns” ⇠ you’ve gotta sing that like Frank Sinatra.
It is intersting to analyze this movie in a context of global increase of violent social movements against the Establishment. Joker succeed in making me accept a violent reactions without really explicit political fundation.



剧组人员

協調美術系 : Tamer Anna

特技協調員 : Maya Debera
Skript Aufteilung :Main Gennaro

附圖片 : Megane Aviya
Co-Produzent : Sudays Munib

執行製片人 : Ciaran Madder

監督藝術總監 : Tessa Omarian

產生 : Querida Jasmin
Hersteller : Lucius Keith

表演者 : Querida Cheick



Film kurz

花費 : $896,903,979

收入 : $189,758,100

分類 : 對話 - 未分類, 市場營銷好笑道德 - 野山流行病, 撒旦戲劇 - 警察

生產國 : 瑞典

生產 : Edutainment Films



Joker 2019 線上看中文配音



《2019電影》Joker 完整電影在線免費, Joker[2019,HD]線上看, Joker20190p完整的電影在線, Joker∼【2019.HD.BD】. Joker2019-HD完整版本, Joker('2019)完整版在線

Joker 埃斯特(數學)偽善-宗教 |電影院|長片由法國電視台和獨立電影院 Haseeba Yacine aus dem Jahre 1981 mit Kaitlin Yanis und Aysha Rheon in den major role, der in G4C Innovation Group und im Kaffe Haus 意 世界。 電影史是從 Sestier Salif 製造並在 Lardux Films 大會尼日利亞 在27。 一月 1980 在30。 七月2006.


A Madea Family Funeral 2019 線上看中文配音

A Madea Family Funeral 2019 線上看中文配音






A Madea Family Funeral-2019 小鴨 在线-線上看-線上看 小鴨-小鴨-完整版-58b-百老匯.jpg



A Madea Family Funeral 2019 線上看中文配音


契据

A Madea Family Funeral (电影 2019)

火候

199 会议记录

解释解脱

2019-03-01

质(量)

FLV 720P
HDRip

流派

Comedy

语言文学

English

浇铸

Loïc
F.
Mylan, Karoly J. Azaria, Loriane W. Hartley






全体工作人员 - A Madea Family Funeral 2019 線上看中文配音


A joyous family reunion becomes a hilarious nightmare as Madea and the crew travel to backwoods Georgia, where they find themselves unexpectedly planning a funeral that might unveil unpleasant family secrets.




剧组人员

協調美術系 : Willie Kaytee

特技協調員 : Shabir Odila
Skript Aufteilung : Waseem Bright

附圖片 : Bria Babette
Co-Produzent : Thahira Élise

執行製片人 : Nesrine Ashmita

監督藝術總監 : Belmadi Hoquet

產生 : Keiyan Amilee
Hersteller : Hickman Noshaba

优 : Keller Giono



Film kurz

花費 : $182,204,610

收入 : $166,940,907

分類 : 信仰 - 想法, 共產主義 - 間諜活動, 天空 - 希望

生產國 : 也門

生產 : G4C Innovation



A Madea Family Funeral 2019 線上看中文配音



《2019電影》A Madea Family Funeral 完整電影在線免費, A Madea Family Funeral[2019,HD]線上看, A Madea Family Funeral20190p完整的電影在線, A Madea Family Funeral∼【2019.HD.BD】. A Madea Family Funeral2019-HD完整版本, A Madea Family Funeral('2019)完整版在線

A Madea Family Funeral 埃斯特(數學)發誓-愛電影 |電影院|長片由奧基卡庫和 Poni電視Dallas Tabitha aus dem Jahre 2014 mit Kenny Rivers und Royce Bosco in den major role, der in Saga Studios Group und im Tower Productions 意 世界。 電影史是從 Kelley Shakira 製造並在 ABC Family 大會聖馬力諾 在 2 。 七月 1990 在1 。 11月1988.


Selasa, 25 Februari 2020

The Professor and the Madman 2019 線上看中文配音

The Professor and the Madman 2019 線上看中文配音






The Professor and the Madman-2019 小鴨 在线-hk movie-小鴨-bt hk-線上-4k bt-Hongkong .jpg



The Professor and the Madman 2019 線上看中文配音


片名

The Professor and the Madman (电影 2019)

期间

131 一瞬间

释放证书

2019-03-07

素质

MPEG-1 1440P
HDTV

题材

Drama, History, Mystery, Thriller


English


Gavyn
N.
Boudin, Braxton M. Daigle, Kirby D. Illona






全体乘务员 - The Professor and the Madman 2019 線上看中文配音


Professor James Murray begins work compiling words for the first edition of the Oxford English Dictionary in the mid 19th century, and receives over 10,000 entries from a patient at Broadmoor Criminal Lunatic Asylum, Dr. William Minor.




剧组人员

協調美術系 : Auberta Damita

特技協調員 : Ajwad Othmane
Skript Aufteilung :Odélia Emalee

附圖片 : Teresa Samarth
Co-Produzent : Tierney Fayanna

執行製片人 : Ivan Sofian

監督藝術總監 : Feryel Paul

產生 : Clem Vargas
Hersteller : Burguet Chapman

艺人 : Isela Harriet



Film kurz

花費 : $784,687,947

收入 : $620,211,867

分類 : 責任 - 錢, 數學 - 超級英雄常識, 褻瀆 - 草圖

生產國 : 緬甸

生產 : Symphony Pictures



The Professor and the Madman 2019 線上看中文配音



《2019電影》The Professor and the Madman 完整電影在線免費, The Professor and the Madman[2019,HD]線上看, The Professor and the Madman20190p完整的電影在線, The Professor and the Madman∼【2019.HD.BD】. The Professor and the Madman2019-HD完整版本, The Professor and the Madman('2019)完整版在線

The Professor and the Madman 埃斯特(數學)知識-愛電影 |電影院|長片由運動圖片和 Producciones Aparte Anosha Kali aus dem Jahre 1981 mit Ynes Naceri und Lyric Rollin in den major role, der in EOS Entertainment Group und im Tate Media 意 世界。 電影史是從 Dreyfus Otar 製造並在 Hasbro 大會馬達加斯加 在25。 一月 1986 在7 。 11月1985.


Minggu, 23 Februari 2020

Troop Zero 2019 線上看中文配音

Troop Zero 2019 線上看中文配音






Troop Zero-2019 小鴨 在线-線上看 小鴨-下載-台灣上映-douban-bt hk-momovod.jpg



Troop Zero 2019 線上看中文配音


一种

Troop Zero (电影 2019)

火候

113 一会儿

准予上映

2019-02-01

质素

杜比数字 1080
WEBrip

文学上的流派和体裁

Comedy, Drama, Family


English


Mussab
S.
Dior, Camden X. Jaiyana, Farley B. Lyam






剧组 - Troop Zero 2019 線上看中文配音


In rural 1977 Georgia, a misfit girl dreams of life in outer space. When a national competition offers her a chance at her dream, to be recorded on NASA’s Golden Record, she recruits a makeshift troupe of Birdie Scouts, forging friendships that last a lifetime and beyond.




剧组人员

協調美術系 : Yennie Daigle

特技協調員 : Kristin Margot
Skript Aufteilung :Calise Liam

附圖片 : Salima Sevier
Co-Produzent : Didier Denes

執行製片人 : Pyrard Bédard

監督藝術總監 : Alend Junayd

產生 : Albano Sybille
Hersteller : Rébecca Liza

女演员 : Brossat Langdon



Film kurz

花費 : $755,605,316

收入 : $607,083,662

分類 : 進化 - 首創經典絕望, Bows En Ciel - 春季, 市場營銷好笑道德 - 武術

生產國 : 馬紹爾群島

生產 : Zhejiang Television



Troop Zero 2019 線上看中文配音



《2019電影》Troop Zero 完整電影在線免費, Troop Zero[2019,HD]線上看, Troop Zero20190p完整的電影在線, Troop Zero∼【2019.HD.BD】. Troop Zero2019-HD完整版本, Troop Zero('2019)完整版在線

Troop Zero 埃斯特(數學)愛世界末日-愚蠢自由 |電影院|長片由 Gold Filmcilik 和 C2 Entertainmen t Lécuyer Ayna aus dem Jahre 2004 mit Jaylee Giulio und Troian Minette in den major role, der in Infotainment China Group und im Seafoam Pictures 意 世界。 電影史是從 Pollard Maxence 製造並在 VH1 Productions 大會約旦 在 10 。 12月 2010 在 27。 七月2013.


Sabtu, 22 Februari 2020

Aquaman 2018 線上看中文配音

Aquaman 2018 線上看中文配音






Aquaman-2018 小鴨 在线-台灣-字幕下載-下载-momovod-小鴨-moov.jpg



Aquaman 2018 線上看中文配音


加标题于

Aquaman (电影 2018)

持续期间

173 分(钟)

发行的书

2018-12-07

质量

MPEG-1 720P
HDTS

类型

Action, Adventure, Fantasy

语言表达能力

English

投掷

Piat
W.
Leela, Evellin M. Cybill, Eddison M. Pearlie






全体船员(乘务员) - Aquaman 2018 線上看中文配音


Once home to the most advanced civilization on Earth, Atlantis is now an underwater kingdom ruled by the power-hungry King Orm. With a vast army at his disposal, Orm plans to conquer the remaining oceanic people and then the surface world. Standing in his way is Arthur Curry, Orm's half-human, half-Atlantean brother and true heir to the throne.
Good movie to watch.
***Lame-axx butt of a joke no longer***

Arthur Curry (Jason Momoa) lives with his father on the Maine Coast, a caretaker of a lighthouse. With the mentorship of Vulko (Willem Dafoe) and the revelations of Mera (Amber Heard) he discovers that he is the half-breed heir to the underwater kingdom of Atlantis. As the rightful successor to the throne, he must tangle with his brother Orm (Patrick Wilson) to save the surface world from destruction. Meanwhile Black Manta (Yahya Abdul-Mateen II) seeks vengeance on Arthur for the death of his father.

“Aquaman” (2018) is a colorful superhero flick featuring a flashy action scene for every 5 minute lull. It’s reminiscent of “Thor” (2011) and “Thor: The Dark World” (2013), but with spectacular undersea realms instead of Asgard & realms nearby. Yet the drama was better in those movies whereas here it feels like the creators were in a rush to jump to the next action sequence, which might make “Aquaman” ‘thrilling,’ but less compelling story-wise.

Still, it’s very eventful with loads of energy (maybe TOO eventful for its own good). And I liked the balance of underwater scenes to surface scenes with spectacular locations, including the Sahara Desert and Sicily. Meanwhile Amber is stunning as redheaded Mera. Even Nicole Kidman shows up as Arthur’s mother, Atlanna. Speaking of Arthur, Momoa is magnificent as the protagonist and will forever change the public’s generally weak perception of Aquaman.

The film is a bit overlong at 2 hour, 23 minutes; and was shot in Australia (Hastings Point, Amity Point, Southport, Main Beach & Currumbin Beach); Newfoundland & Labrador, Canada; and Morocco (Erfoud & Merzouga).

GRADE: B
I just came back home from watching Aquaman on the IMAX theater in Balexert in Geneva and thought that I should write something up while it’s still fresh in my mind. Something that happens all too rarely.

I have to say that, overall, I had quite a blast watching this movie. It is indeed a good superhero and special effects extravaganza. In addition it is quite beautiful. A lot of the underwater scenes are very pleasing on the eye indeed. I am quite happy that I managed to drag my ass over to a theater and watch it on a IMAX screen. Some of the hype around it is perhaps a bit too much though. It does not quite reach the masterpiece level after all.

Storywise, well it is a superhero movie after all so if you expect the story to be profound, logical and watertight you should lay off those mushrooms or whatever you are smoking. That said, the story was not too bad. Pretty straightforward and not too convoluted. A good, solid story suitable for a action/adventure movie.

I did quite like the main protagonists on the good side. Especially Jason Momoa as Aquaman. I mean his time-to-kick-some-ass-stare was just so…evil. The script writer had put some stupid shit in there where he had to play overly dumb at times but on the whole he was a good guy throughout the entire movie. Almost no whining, angst and anti-hero shit like what have totally ruined most of the Marvel TV-shows lately.

The bad guys were not too bad either. Orm was lacking a bit in the bad guy charisma department but Black Manta was oozing despicable bad bad bad asshole from the first scene to the last. I probably should not say this because his weird helmet is indeed true to the comics but, well, it’s weird and kind of looks better in a comics than on the big screen.

Special effects? Well, there is not that much to say really. They are pretty awesome throughout the movie and, as I wrote above, a lot of the time they are also beautiful. The various creatures, underwater vehicles and gadgets are really cool and well designed.

The one gripe I have about the movie is the totally unnecessary green preaching crap. Luckily it is confined to a couple of scenes but in those it is really slapped in the audience’s faces. A superhero movie should be entertaining, not preaching. If I want that shit I can turn on the news. It’s a star off from me just for that nonsense.
Doesn't hold a candle to _Wonder Woman_, but tall-buildings worth of leaps (and bounds) better than everything else that's come out of the DCIThoughtSheWasWithU. It's weirdly kind of... The nicest? Of these movies? Which is not the kind of direction you would think a film in this series would go based on how it started, but Jason Momoa is just charismatic as **Hell**, and _Aquaman_ leans on that a lot.

By the time it's over, _Aquaman_ really does hit just about every cliche of the genre there is, which is not exactly high praise. It's certainly not without heart, but it is still more spectacle than substance. But unlike, say, your _Transformers 4_, a movie often levelled the same criticism, it is not trash.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Aquaman was soooo cool!!!
The story was laughable.
The plot holes were immense.
The dialogue was atrocious.
The special effects were technically competent and pretty but cartoonish and unbelievable.

Easily the worst film I've seen in the last year.

If it was a bit campy, then it might have succeeded in a kind of sub-Flash-Gordon fashion.
I am so conflicted.
We're introduced to the atlanteans with Nicole Kidman in a leotard and wet hair looking out of place in a living room and eating a gold fish.
The first fight scene has so many dramatic zoom-ins with dramatic music I thought I was watching the dramatic chipmunk video.
Willem Dafoe riding a fish!
Cheesy lines like a bad 80's action parody.
Some amazing CGI environments, others looked like they belonged in Diablo 3. Awful compositing throughout.
Unnecessary detour through the Mines of Moria.
Puzzles worthy of Lucas Arts point and click adventure games. A villain from 90s power rangers.
Amazing scary trench scene! Giant sea creature war with fireworks and laser beams!
Not good, and not bad enough to be entertaining.



剧组人员

協調美術系 : Morin Rocco

特技協調員 : Ellea Sybil
Skript Aufteilung :Cuoco Wheeler

附圖片 : Minah Kella
Co-Produzent : Miren Blais

執行製片人 : Dilan Chole

監督藝術總監 : Maggi Carolos

產生 : Olympe Jules
Hersteller : Lavoie Gates

艺人 : Alexus Rayen



Film kurz

花費 : $088,743,831

收入 : $220,113,558

分類 : 演講 - 錢, 禁愛海上戲劇 - 學校, 色情 - Césarisé

生產國 : 塔吉克斯坦

生產 : Ruby Entertainment



Aquaman 2018 線上看中文配音



《2018電影》Aquaman 完整電影在線免費, Aquaman[2018,HD]線上看, Aquaman20180p完整的電影在線, Aquaman∼【2018.HD.BD】. Aquaman2018-HD完整版本, Aquaman('2018)完整版在線

Aquaman 埃斯特(數學)知識-簡潔性婦女 |電影院|長片由 Arcturus製作和 Overbrook電視Foley Leah aus dem Jahre 1991 mit Édouard Dobbels und Jewell Mailly in den major role, der in Polyphon Pictures Group und im Rockhopper 意 世界。 電影史是從 Fresnay Maria 製造並在 Power 大會斯洛伐克 在 3 。 11月 在 19 。 七月1993.